<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Personal on Visual Cinnamon</title><link>https://www.visualcinnamon.com/categories/personal/</link><description>Recent content in Personal on Visual Cinnamon</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Fri, 16 Oct 2026 12:30:53 +0200</lastBuildDate><atom:link href="https://www.visualcinnamon.com/categories/personal/index.xml" rel="self" type="application/rss+xml"/><item><title>A Giant Map of the World</title><link>https://www.visualcinnamon.com/portfolio/worldmap/</link><pubDate>Thu, 21 May 2026 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/worldmap/</guid><description>&lt;p&gt;I created this &lt;strong&gt;very large map of the world&lt;/strong&gt; that measures 2.85m x 1.5m (roughly 9.5&amp;rsquo; x 5&amp;rsquo;), which takes up nearly one entire wall of my living room. The map is based mostly on the vector and shaded relief data from the &lt;em&gt;Natural Earth&lt;/em&gt; and the colored contour areas (height lines) from &lt;em&gt;Amazon Web Services Terrain Tiles&lt;/em&gt;. I had the map printed on an ArtFrame (by &lt;a href="https://www.artheroes.com"&gt;Art Heroes&lt;/a&gt;), which is a textile canvas that is stretched along a black aluminum frame.&lt;/p&gt;</description></item><item><title>The Top 10 Best Selling Nintendo Switch Games</title><link>https://www.visualcinnamon.com/portfolio/best-selling-nintendo-switch-games/</link><pubDate>Wed, 04 Sep 2024 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/best-selling-nintendo-switch-games/</guid><description>&lt;p&gt;A visualization about the &lt;strong&gt;top 10 best-selling Nintendo Switch games&lt;/strong&gt;, as of June 30th, 2024 created with Blender. I made this visualization specifically for my (upcoming) book about creative data visualization, showing how you can look outside of the &amp;ldquo;standard&amp;rdquo; tools and software and be inspired by other fields to create captivating and unique visualizations of data.&lt;/p&gt;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/portfolio/2024/nintendo-switch/nintendo_switch_games_final.png' alt='The final visual about the top 10 best-selling Nintendo switch games' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;&#10;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/portfolio/2024/nintendo-switch/nintendo_switch_games_detail_1.png' alt='A different angle on the visual to better show the 3D aspect' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;&#10;&#10;&lt;video class='portfolio__video_full_width' autoplay loop playsinline muted &gt;&lt;source src='https://www.visualcinnamon.com/img/portfolio/2024/nintendo-switch/nintendo_switch_games_animation.mp4' type="video/mp4"&gt;&lt;/video&gt;&#10;&lt;div class="portfolio__highlight" style='background-color: #6fbe89' &gt;I gave myself one week to learn Blender and create a unique and custom data visualization using a relatively simple dataset. It was frustrating at the start, as there is much to learn when starting to use Blender. However, the more time I spent fine-tuning the visual, the more I enjoyed the process. Especially when I got to play with materials and lighting and really see the reason I wanted to try Blender in the first place: that realistic result of 3D with shadows and a visual look that can&amp;rsquo;t be achieved using the more regular data visualization tools.&lt;/div&gt;&#10;&lt;div class='portfolio__side_text_image' style='background-image: url(/img/portfolio/2024/nintendo-switch/nintendo_switch_games_detail_3a.png);'&gt;&#10; &lt;img src='https://www.visualcinnamon.com/img/portfolio/2024/nintendo-switch/nintendo_switch_games_detail_3a.png' style="visibility: hidden;" /&gt;&#10;&lt;/div&gt;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/portfolio/2024/nintendo-switch/nintendo_switch_games_detail_2.png' alt='Closing in on the Animal Crossing sphere' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;</description></item><item><title>Charting Our Adventures: How I Created a Personalized Map with R, JavaScript, and more</title><link>https://www.visualcinnamon.com/2023/04/personal-map-norway-with-javascript/</link><pubDate>Mon, 17 Apr 2023 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/2023/04/personal-map-norway-with-javascript/</guid><description>&lt;p&gt;In this blog, &lt;strong&gt;I&amp;rsquo;d like to show you how I created the map below of Senja, Lofoten &amp;amp; Vesterålen in Norway&lt;/strong&gt;. Using a combination of tools, including the &lt;em&gt;OpenStreetMap API&lt;/em&gt;, &lt;em&gt;Amazon Web Services Terrain Tiles&lt;/em&gt;, &lt;em&gt;R&lt;/em&gt;, &lt;em&gt;d3.js&lt;/em&gt;, and &lt;em&gt;JavaScript&lt;/em&gt;, I was able to &lt;strong&gt;create a unique and personal map&lt;/strong&gt; that features our hikes, Google location history, and the locations we stayed at during our 5-month trip through Norway in 2022.&lt;/p&gt;</description></item><item><title>Senja, Lofoten &amp; Vesterålen</title><link>https://www.visualcinnamon.com/portfolio/map-norway/</link><pubDate>Thu, 09 Feb 2023 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/map-norway/</guid><description>&lt;p&gt;I created this &lt;strong&gt;map of Senja, Lofoten &amp;amp; Vesterålen&lt;/strong&gt; to remember the five months I traveled through Norway in 2022. I loved the whole country, but these locations stole my heart. The map uses on data from the &lt;em&gt;OpenStreetMap API&lt;/em&gt; and the height lines (contours) from &lt;em&gt;Amazon Web Services Terrain Tiles&lt;/em&gt;. To make it more personal, &lt;strong&gt;I added several layers of personal geo data&lt;/strong&gt; to the map as red elements: lines show our hikes, small dots along the road are the Google location history points, diamonds for the locations we stayed overnight, and more. I had the map printed at 50x60cm on fine-art paper and it is now hanging in a prime spot of our hallway.&lt;/p&gt;</description></item><item><title>My Experience &amp; Projects from Studying at Fab Academy and Learning How to be a Maker</title><link>https://www.visualcinnamon.com/2021/07/fabacademy/</link><pubDate>Sun, 11 Jul 2021 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/2021/07/fabacademy/</guid><description>&lt;p&gt;In September 2020 I decided to stop working for the first half year of 2021 and go back to studying. I had just applied for the &lt;a href="http://fabacademy.org/"&gt;&lt;strong&gt;Fab Academy&lt;/strong&gt;&lt;/a&gt;, a globally run, full-time course of 20 weeks, headed by Neil Gershenfeld from MIT, focused on &lt;strong&gt;learning how to become a maker / fabricator.&lt;/strong&gt; Making designs on a computer and then turning these into a reality with machines such as laser cutters, 3D printers, milling machines, and more, while also incorporating electronics. It&amp;rsquo;s also known as &lt;em&gt;&amp;ldquo;How to Make (almost) Anything&amp;rdquo;&lt;/em&gt;.&lt;/p&gt;</description></item><item><title>Fab Academy</title><link>https://www.visualcinnamon.com/art/fabacademy/</link><pubDate>Tue, 06 Jul 2021 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/art/fabacademy/</guid><description>&lt;p&gt;For 20 weeks between January and June of 2021 I decided to stop working and &lt;strong&gt;study at the Fab Academy&lt;/strong&gt;, also known as &lt;em&gt;&amp;ldquo;Learn to Make (almost) Anything&amp;rdquo;&lt;/em&gt;. It has &lt;strong&gt;taught me several of the most important facets of being a fabricator&lt;/strong&gt;. Starting with an idea, designing it with 2D or 3D tools on a computer and taking those designs to become a reality by using laser cutters, 3D printers, vinyl cutters, CNC milling machines and more. A big emphasis was also placed on electronics; learning how to come up with the requirements, design PCBs, mill &amp;amp; solder them and finally test and use them in conjunction with other materials to create interactive results. Every week resulted in the creation of &lt;em&gt;something&lt;/em&gt;, depending on the topic of the week, getting more and more complex as the weeks went on. This culminated with building my final project, called &lt;strong&gt;NOVA, a jigsaw puzzle with light&lt;/strong&gt;.&lt;/p&gt;</description></item><item><title>Figures in the Sky</title><link>https://www.visualcinnamon.com/portfolio/figures-in-the-stars/</link><pubDate>Tue, 17 Jul 2018 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/figures-in-the-stars/</guid><description>&lt;p&gt;No matter where you are on Earth, we all look up to the same sky during the dark nights. You might see a different section of it depending on your exact location, time &amp;amp; season, nevertheless the stars have fascinated humans across time and continents. Our own creativity combined with stories about local legends and myths have created a diverse set of different constellations. And even though the stars don&amp;rsquo;t change, people have found many different shapes in the same sky. This interactive visual story looks into &lt;strong&gt;the differences &amp;amp; similarities between the constellations that 28 cultures&lt;/strong&gt;, spread across time and across the World, &lt;strong&gt;have seen in the stars&lt;/strong&gt;.&lt;/p&gt;</description></item><item><title>An Ode to Cardcaptor Sakura</title><link>https://www.visualcinnamon.com/portfolio/cardcaptor-sakura/</link><pubDate>Sat, 23 Dec 2017 14:52:04 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/cardcaptor-sakura/</guid><description>&lt;p&gt;Cardcaptor Sakura is one of the most beautiful and adorable manga series ever created and this project is my ode to the wonderful series. CCS was written and illustrated by the manga artist group CLAMP between 1996 and 2000, but is still extremely popular today. &lt;strong&gt;This visualization brings together several different aspects of the series&lt;/strong&gt;; the main characters, the chapters, relationships and the wonderful cover art of each of the 50 chapters. By visually connecting these different aspects of Cardcaptor Sakura, fans can get a more nuanced understanding of the events that happen throughout the series.&lt;/p&gt;</description></item><item><title>A talk on lessons learned from data sketches</title><link>https://www.visualcinnamon.com/2017/10/data-sketches-talk/</link><pubDate>Sat, 14 Oct 2017 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/2017/10/data-sketches-talk/</guid><description>&lt;p&gt;A blog about the new solo talk I&amp;rsquo;ve created recently that revolves all around &lt;a href="http://www.datasketch.es"&gt;Data Sketches&lt;/a&gt;, the dataviz collaboration I&amp;rsquo;m (still) doing together with &lt;a href="https://twitter.com/sxywu"&gt;Shirley Wu&lt;/a&gt;. In this talk I (but also &lt;em&gt;we&lt;/em&gt;) discuss the lessons that we&amp;rsquo;ve already learned from doing 10 months of creating an elaborate data visualization a month.&lt;/p&gt;</description></item><item><title>Breathing Earth</title><link>https://www.visualcinnamon.com/portfolio/breathing-earth/</link><pubDate>Wed, 24 May 2017 10:33:57 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/breathing-earth/</guid><description>&lt;p&gt;We all know that our Earth goes through a seasonal cycle, especially for the latitudes farther away from the equator. In the fall the &amp;ldquo;deciduous&amp;rdquo; plants lose their leaves only to grow back again in the next spring. The animation happening in &amp;ldquo;Breathing Earth&amp;rdquo; shows how 50.000 circles move through all 52 weeks of 2016 and visualize the seasonal cycles. Thereby displaying the how vegetation health changes throughout the year and how plant growth &amp;amp; decline occur on different times and scales in the many regions across the Earth.&lt;/p&gt;</description></item><item><title>My Journey into Data Visualization</title><link>https://www.visualcinnamon.com/2017/03/my-journey-into-dataviz/</link><pubDate>Mon, 27 Mar 2017 00:00:00 +0000</pubDate><guid>https://www.visualcinnamon.com/2017/03/my-journey-into-dataviz/</guid><description>&lt;p&gt;I often get emails from people asking me diverse question about my path into data visualization. And after typing out my story for the &lt;code&gt;Nth&lt;/code&gt; time I thought it might actually be easier if I just place it in a blog post. That way I can be more detailed &amp;amp; even add some images (ﾉ◕ヮ◕)ﾉ*:・ﾟ✧&lt;/p&gt;</description></item><item><title>Marble Butterflies</title><link>https://www.visualcinnamon.com/art/marble-butterflies/</link><pubDate>Tue, 28 Feb 2017 22:13:23 +0000</pubDate><guid>https://www.visualcinnamon.com/art/marble-butterflies/</guid><description>&lt;p&gt;Driven by butterfly data, let these generative butterflies free across your screen to evolve &amp;amp; develop and be &lt;strong&gt;mesmerized&lt;/strong&gt; as your screen fills up with colorful paths. This was a personal exploration of combining data with &lt;em&gt;generative art&lt;/em&gt; to create something that is based on data, but wants to engage its audience first and foremost, instead of teaching its audience about (the numbers within) the data.&lt;/p&gt;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/art/2017/marble-butterflies/marble_butterflies_laptop_detail_1.jpg' alt='A screenshot of Marble Butterflies with the butterfly logo on top' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;&#10;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/art/2017/marble-butterflies/marble_butterflies_detail_2.jpg' alt='A screenshot of Marble Butterflies' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;&#10;&#10;&lt;video class='portfolio__video_full_width' autoplay loop playsinline muted &gt;&lt;source src='https://www.visualcinnamon.com/img/art/2017/marble-butterflies/marble_butterflies_laptop_animation_1.mp4' type="video/mp4"&gt;&lt;/video&gt;&#10;&lt;div class="portfolio__highlight" style='background-color: #E73677' &gt;&lt;p&gt;The data sketches topic for February was &lt;em&gt;nature&lt;/em&gt; and to me, nature is guided by randomness; mutations that happen without reason are the existence of evolution. And what is &lt;em&gt;generative art&lt;/em&gt; if not driven (in part) by randomness.&lt;/p&gt;</description></item><item><title>All the Fights in Dragon Ball Z</title><link>https://www.visualcinnamon.com/portfolio/fights-dragon-ball-z/</link><pubDate>Tue, 31 Jan 2017 22:20:44 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/fights-dragon-ball-z/</guid><description>&lt;p&gt;Dive into all 200 fights that happened during Dragon Ball Z. Starting with the first fight between Picollo and Raditz, each fight is represented by a cluster of circles. Swooshing lines representing a particular character makes it easier to understand their fighting patterns. By hovering over a fight you get more insight into the what happened and who was fighting whom. Seeing the overview of all the fights in this manner reveals interesting insights that might&amp;rsquo;ve been hidden otherwise. Such as Goku, the main protagonist. He appears in most fights overall, however he&amp;rsquo;s still missing in action for very large periods of time, due to being dead (twice) or sick/recovering from injuries.&lt;/p&gt;</description></item><item><title>The Top 2000 ❤ the 70s &amp; 80s</title><link>https://www.visualcinnamon.com/portfolio/top2000/</link><pubDate>Thu, 29 Dec 2016 13:15:12 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/top2000/</guid><description>&lt;p&gt;This infographic looks at the &lt;strong&gt;Top 2000 songs ever made&lt;/strong&gt; and how they are spread according to their year of release. From the 60&amp;rsquo;s in the bottom left corner to 2016 in the top right, each song is represented by a circle. The circles are sized according to their position in the Top 2000 and the darker a circle, the higher the position it reached in the weekly top 40s. Several groups of special songs are highlighted. Such as all 38 tracks from the Beatles in blue, David Bowie in yellow and Prince in purple, while the top 10 is made even more apparent by making them appear as &lt;strong&gt;tiny vinyl records&lt;/strong&gt;. The infographic shows that the 70s &amp;amp; 80s are still the most appreciated era&amp;rsquo;s in terms of music.&lt;/p&gt;</description></item><item><title>Magic is Everywhere</title><link>https://www.visualcinnamon.com/portfolio/magic/</link><pubDate>Wed, 30 Nov 2016 08:00:40 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/magic/</guid><description>&lt;p&gt;In &lt;em&gt;Magic is Everywhere&lt;/em&gt; I&amp;rsquo;ve &lt;strong&gt;investigated the titles of ±900 fantasy books to look for trends in their titles&lt;/strong&gt;. Magic is the most common word in all titles. Followed by &lt;em&gt;fire&lt;/em&gt;, &lt;em&gt;dark&lt;/em&gt; &amp;amp; &lt;em&gt;red&lt;/em&gt;. In general, terms relating to unpleasant things are more common than those relating to positive aspects. Nevertheless, titles relating directly to magic can be found throughout the visual, indicating that the one thing that binds fantasy books together is, not surprisingly, &lt;em&gt;Magic&lt;/em&gt;.&lt;/p&gt;</description></item><item><title>Royal Constellations</title><link>https://www.visualcinnamon.com/portfolio/royal-constellations/</link><pubDate>Wed, 12 Oct 2016 22:19:30 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/royal-constellations/</guid><description>&lt;p&gt;Royal &amp;amp; aristocratic families are known for their fondness of marrying within their own clique. This leads to very interesting &amp;amp; entangled family trees which the &lt;em&gt;Royal Constellations&lt;/em&gt; visual tries to convey. Dive into the web of family relations to see how all 10 of the current hereditary &lt;strong&gt;royal leaders of Europe can be connected to each other through their ancestors&lt;/strong&gt;. By hovering and clicking on one of the 3000 &lt;em&gt;stars&lt;/em&gt;, each of which represent a person, the web reveals aspects such as &lt;em&gt;6-degrees of separation&lt;/em&gt; and &lt;em&gt;shortest paths&lt;/em&gt; between two people.&lt;/p&gt;</description></item><item><title>Olympic feathers</title><link>https://www.visualcinnamon.com/portfolio/olympic-feathers/</link><pubDate>Sat, 13 Aug 2016 15:30:32 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/olympic-feathers/</guid><description>&lt;p&gt;&lt;strong&gt;More than 5000 Olympic events have had a winner in the Summer Olympics since the first games of 1896&lt;/strong&gt;. In &lt;em&gt;Olympic Feathers&lt;/em&gt; you can investigate how each of these medals has been won in the 56 different sporting disciplines that have competed at the games, of which 41 are still held at Rio 2016. To see patterns appear in certain sports, such as weightlifting going from mostly European medals to Asian countries during the recent Olympic Games, or get a sense of the number of events that each sport has and when women events were finally added to each sport. &lt;strong&gt;This visualization shows the entire history&lt;/strong&gt; and lets the viewer decide what they want to focus on.&lt;/p&gt;</description></item><item><title>The Words in the Lord of the Rings</title><link>https://www.visualcinnamon.com/portfolio/words-lord-of-the-rings/</link><pubDate>Sun, 31 Jul 2016 13:07:30 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/words-lord-of-the-rings/</guid><description>&lt;p&gt;In more than 11 hours of the &lt;em&gt;Lord of the Rings&lt;/em&gt; trilogy all characters combined speak approximately 32,000 words. The 9 members of the Fellowship alone take up about 17,000 of these words, a bit more than half. In this visualization you can find out &lt;strong&gt;how many words a member has spoken at each different location throughout the trilogy&lt;/strong&gt;. Did you realize how much Sam truly spoke. Or that Legolas said even less than Boromir!&lt;/p&gt;</description></item><item><title>The top 10 babynames</title><link>https://www.visualcinnamon.com/portfolio/babynames/</link><pubDate>Sun, 24 May 2015 16:24:54 +0000</pubDate><guid>https://www.visualcinnamon.com/portfolio/babynames/</guid><description>&lt;p&gt;Each year almost 4 million babies are born in the US. Although thinking of 4 million unique names is pretty difficult, theoretically it is not impossible. Nonetheless, there are always many babies given the same name. For example, in 2013 more than 18,000 boys were named Noah and more than 21,000 girls named Sophia, the most popular boy and girl name of that year. &lt;em&gt;The top 10 baby names since 1880&lt;/em&gt; shows the &lt;strong&gt;top 10 names given to babies per year and per gender since 1880&lt;/strong&gt;. You can investigate any of the ±50 and 90 unique boy and girl names, respectively, that have entered the top 10 in the last 135 years and &lt;strong&gt;see their rise and fall&lt;/strong&gt;.&lt;/p&gt;</description></item><item><title>The Art in Pi</title><link>https://www.visualcinnamon.com/art/the-art-in-pi/</link><pubDate>Sat, 24 Jan 2015 12:57:37 +0000</pubDate><guid>https://www.visualcinnamon.com/art/the-art-in-pi/</guid><description>&lt;p&gt;A visualization that turns &lt;strong&gt;the digits of the number π into a visual presentation&lt;/strong&gt;. Each digit is converted into a certain direction to step. With 360 degrees of a circle, divided into 10 step directions. You can follow the path that the digits make and how this is always random, no matter if you look at 100, 1000, or even a million digits.&lt;/p&gt;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/art/2015/art-in-pi/art_in_pi_poster_detail_1.png' alt='The poster of the first 10000 digits of pi' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;&#10;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/art/2015/art-in-pi/art_in_pi_poster_detail_4.png' alt='The poster of the first 1000 digits of pi' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;&#10;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/art/2015/art-in-pi/art_in_pi_detail_1.jpg' alt='Close-up of the first 100000 digits of pi' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;&#10;&#10;&lt;figure class='portfolio__img-full-width' &gt;&#10; &#10; &lt;img src='https://www.visualcinnamon.com/img/art/2015/art-in-pi/art_in_pi_poster_detail_2.png' alt='The poster of the first 10000 digits of pi' loading="lazy"&gt;&#10; &#10; &#10;&lt;/figure&gt;&#10;&#10;&lt;div class="portfolio__highlight" style='background-color: #d1003d' &gt;&lt;p&gt;After seeing the &lt;a href="http://mkweb.bcgsc.ca/pi/piday2014/dots.mhtml"&gt;examples&lt;/a&gt; of Martin Krzywinski&amp;rsquo;s π art work I wanted to venture into the world of data art myself. My idea of using the digits of π to step into a certain direction certainly isn&amp;rsquo;t new, but most versions I could find had first converted pi into another base (4 or 16 for example). Therefore, I went ahead with just keeping it in base 10. I plotted and colored the data in R and then imported the PDF into Illustrator to add some text and legends.&lt;/p&gt;</description></item></channel></rss>